Performing and Presenting Opportunities

Unique opportunities for presentations and performances are available each year at NCPP. Please be sure to read below regarding opportunities for this year’s conference. 

Presentation Opportunities

2024 National Conference on Percussion Pedagogy

Call for Presentations

For a PDF of this information please click here

The National Conference on Percussion Pedagogy will take place at the University of Texas at Arlington on May 19-21, 2024. The purpose of the conference is to explore the status of percussion pedagogy in the United States as well as to outline strategies for improving the teaching and learning of percussion instruments. The conference will provide a forum to increase awareness of “what is happening,” guide us toward identifying “what should happen,” and provide the means for “making it happen.” The Board of Advisors invites you to submit a proposal for participation in one of two formats:

HOW-TO PEDAGOGY SESSION: This session will feature individual presentations addressing a pedagogical topic. Each presenter will begin with an overview of the topic, no longer than 12 minutes, for all attendees. A typical 12-minute presentation would include practical solutions or guidance for the challenges that we face in our field. 

Then, each presenter will move to an assigned room for more in-depth discussion and/or hands-on demonstrations with attendee. Attendees will have time to move between rooms to learn more about topics of interest. You should plan to provide attendees with a handout covering your topic.  

RESEARCH SESSION: This session will provide an opportunity to share completed research or research in progress that informs our understanding of a range of topics related to percussion pedagogy. This is a great opportunity to share and get feedback on your research. The session will be organized around brief presentations: 30-minutes per presenter. Please include an abstract of your research as part of your proposal. If you are accepted to present, you should plan to provide attendees with a short handout that summarizes your study.  

The last day for submissions is WEDNESDAY, JANUARY 3, 2024. Submissions should be emailed to Kathleen Kastner (kathleen.kastner@wheaton.edu). The subject line should indicate NCPP How-To Proposal or NCPP Research Session Proposal. Include your contact information in the body of the email and attach the proposal as a pdf that includes the title, session format, and session description/abstract (but does not include your name). In your proposal, please include specific implications of your session for percussion pedagogy. You will receive notification of your proposal’s status by MONDAY, JANUARY 22, 2024.

Receipt of your proposal will be acknowledged by Kathleen Kastner within a week of submission. In order to make sure all proposals are received, If you do not receive a response within a week, please contact Lisa Rogers (lisa.rogers@ttu.edu).

Performance Opportunities

Student and Professional Recitals
Application Details and Procedures

For a PDF of this information please click here

•     Applications must be submitted from 12:00pm(CST) on Monday January 15, 2024 to 12:00pm(CST) on
Monday February 26, 2024 for full consideration, as each recital will be filled on a first come/first serve basis.
Applications received prior to 12:00pm(CST) on January 15, 2024 will not be considered.
•     Application Link: https://forms.gle/ZaxiatAMHviXjo1y6
•     Unaccompanied solos preferred.
•     Accompanied solos, small chamber ensembles, and pieces involving playback electronics ONLY will be
considered.     
•     Each performer or small ensemble will have a TOTAL stage time of 7 minutes, this includes any set-up/tear-
down.
•     Confirmation of submission should auto generate, and an acceptance decision will be emailed within 2 weeks
after information is received.
•     All performers must register for NCPP by May 1, 2024 in order to perform.
•     Applications received after the deadline, or once the recital is full, will be placed on a waiting list.
•     Provided instruments limited to marimba, xylophone, vibraphone, glockenspiel, chimes, crotales, bass drum,
timpani, tam tam, concert toms, and drum set.